GET FREE SHIT BY (NOT) WORKING FOR THE PRESS
DIzzIE (Antikopyright 2007)
I’ve mentioned this little technique every now and then in several
other texts, but thought it’d be fitting to devote a short textfile
to it, so as to elucidate the matter a wee bit further.
The heart of this hustle simply involves pretending to be a member
of the press so as to gain free access to events (movie screenings and
festivals, concerts, sporting events, amusement parks
or/and get free goodies (books, movies, music, software/games,
food, and whatever other merchandise you set your hungry little eyes
on) sent to you in the mail. The level of preparation and the amount
of credibility props you’ll need will vary depending on the prize
you’re after, but the general framework will be more or less the same.
So let’s first look at the general gear you might need, and then break
it down into getting free goods and free admittance.
Variable List of Potential Credibility Props
~Official Letterhead [A simple logo of the mag you work for]
~Magazine Website [A dot com will look more believable than a Geocities
account, much like an email matching the domain will look a touch better
than, say, nrkeygrrrl88@hotmail.com...]
~Notepad [Just a plain pocket notepad to jot down all those ever-so-important
details you’ll be reporting about ;)]
~Phone/Fax Number [j2.com, one among many such providers, offers a free voice
mail box and fax reception service. Faxes can generally be sent from your
local copy places like Kinko’s]
~Publication Masthead [the list of all the staff names/positions they hold at
the magazine, with “your” name obviously being included]
Credibility props are used by you to convince your target that you do
indeed work for “the press.” Remember that this is a general list that
is certainly not applicable for all situations. Refer to the specific
requirements for the target you’re going to be scamming. Remember, if
any of these things seem like too much work to forge, you’ll only need
to make them once, and can reuse them (with minor alterations) for all
future reviewer scams.
Free Goods
To use an example, let’s say you want a gratis copy of a certain new
book that’s due out next month. To do so, you’ll need to request what’s
called a ‘review copy’ (fancy, eh?). Browse the publisher’s website and
find their specific protocol for requesting the copy. The standard
procedure involves faxing your request on your magazine’s letterhead.
The fax should be less than a page long and include the title of your
book request (including ISBN), the address to which the book should be
sent, and a brief blurb about your zine. If you can’t get to a fax machine,
an alternative would be to either email them a PDF of your request
(complete you’re your zine’s letterhead), or to send a snail mail request.
Your letter should be in the standard full block formats, so as to keep
it all professional-like and shit.
As for the content, keep it brief and to the point: state what you want,
why you want it, and why it’ll behoove the target to send it to you
(something along the lines of ‘our magazine has a wide readership we
think is an ideal match for your product’ can work marginally better
than ‘…or else I won’t give your children the antidote…’.
Remember to make sure that the so-called ‘target demographic’ of the
magazine you work for matches the target customer base of the product
you’re requesting. That is to say, if you’re writing to request some
make-up, you’ll probably want to say you write for a beauty mag, whereas
if you’re trying to score some kinky gadget or that hot new scat fetish
DVD, you’ll obviously want to say you run a more ‘adult’ oriented zine ;).
After you get the goods, you can go ahead and write up a cock
slurping review and send it back to the folks who sent you the
products, thereby greatly strengthening the chance that they’ll
be willing to send you more shit later on. (Trust me, the
prolonged contact is worth the effort, a matter of not burning
your bridges, if you will).
Nota Bene: With regard to the website, toss up a simple layout
that has a few sentences about your zine, contact/subscription
information, and even a few ‘articles’ or back issues (you can
find articles by just searching random sites online and plucking
particularly well-written pieces that suit your theme).
Also, change the actual URL of the zine with each month that you
do the review scam, whilst saying something along the lines of
‘unfortunately we couldn’t garner enough interest in the zine,
and it has thus regretfully reached its premature ending’ on the
old site. Then just update all of the dates on the new page.
This is so that if one of your old hits decides to check up on
the progress of your magazine, you’ll have an explanation ready
(‘it shut down’), and won’t have to keep updating the old site
every month or so with new content. Thus, if you send the link to
a bunch of targets in August, with the link myweakasszine.com/myzine ,
that says something alone the lines of ‘Issue 1, Volume 1, August 2007’,
when you try the same scam on a different target in October, the link you
send should now be slightly different (e.g., myweakasszine.com/zine) and
the date updated to ‘Issue 1, Volume 1, October 2007,’ all while the old
URL now has the aforementioned defunct notice appended to it. On the other
hand, you could just keep spitting out new issues and then keep the same
URL... Again, I’m belabouring this step because it is necessary to avoid
problems should an old hit browse the old site, and notice that the same
mix of articles is now labeled as October instead of August, etc…
Free Admittance to Events
To gain free admittance into some event or location, you’ll generally
need to contact the press/media relations personnel, and find out their
specific protocols. These tend to vary from event to event (for instance,
you’ll likely need a ‘press accreditation form’/‘letter of assignment’ if
you’re crashing a film festival, or a ‘media registration form’ if it’s a music
festival or whatnot). At any rate, browse the website of the specific event/locale
you want to attend for free and find the pertinent info required for press
admittance. If you can’t find the info listed online, give them a call or
drop ‘em an email requesting the fine point details. Once you find out the
exact requirements, start working on meeting them (i.e., if a copy of one of
‘your’ articles is requested, clip one out from a random—albeit not too
popular!—paper/zine, and make your ‘credentials’ match the byline of the
article).
Remember that any requirements they throw at you can be
forged/duplicated/manufactured with relative ease, and that
the worst that’ll happen (unless you manage to royally fuck
something up hardcore along the way) is you’ll get a response
telling you to fuck off, in which case you’ll suck it up and
pick a different event to try your luck at.
Overall, the principle is the same for all reviewer scams:
pick an item/location, learn the requirements needed to procure
it for free in the name of the press, and then do your best to meet
them all. Throughout the entire endeavor, keep up the mindset that
you really are a reporter just out doing your job; if anyone’s the
scammer, it’s the company that’s making you jump through all the
flaming hoops to get your free shit. Don’t be too quick to dismiss
the psych factors; if you’re not convinced that you are who you say
you are, how the fuck do you expect to convince anyone else? And, sure,
you probably won’t be getting screeners of blockbuster flicks any time
soon, but the scam is good for the occasional freebie or two…or three…:)
Comments/flames to: xcon0 a/|t\ yahoo \do\/t c|o\\m. Or, for phone sex, dial 1-610-887-6072.
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