To Main Page 501 THE PRIESTHOOD (continued) And so it is that they who lose or give away their following, Or they who through inactivity have lost their power, Or they who are not in harmony and love with their Spiritual Father; Shall be retired from a rank to which entitled Other than by leadership of men. But this can only be done by he who ordained them, For only those who give can take away, Yet each High Priest is responsible that this is done. Should any Fellow fain the Priesthood, and use it wisely and well, The Gods have decreed that those who serve them Shall prosper and grow in this life, And shall gain eternal perfection To be freed from the Wheel of Life, And to become like unto the angels In that they should be perfect. For perfection is to be gained by love, And there is no greater love than to Lay down one's life for his brethren In their service and for their sake, And the Father will reward them for Their labor of love, because He is not unjust. FINIS 502 THAT OLD BLACK MAGIC: Getting Specific about Magical Ethics Sometimes a clichejust wearsout. It losesmeaning or, worse,begins to say things we never meant. I think it's time to retire the phrase "black magic." Saying"black" when we mean "evil" is nasty nonsense. In the first place, it reinforces the racist stereotypes that corrupt our society. And that's not all. Whenever we say "black" instead of "bad," we repeat again the big lie that darkness is wrong. It isn't, as people who profess to love Nature should know. Darkness canmean the inside of the womb, and the seed germinating within the Earth, and the chaos that gives rise to all truly new beginnings. In our myths, the one who goes down to the underworld returns with the treasure. Even death, to the Wiccan understanding, is well-earned rest and comfort, and a preparation for new birth. Using "black" to mean "bad" is a blasphemy against the Crone. But even if we no longer speak of magic as "black" or "white," we still need to think and speak about the ethics of magic. Although black is not evil, some actions are evil. It simply is not true that anything a person is strong enough or skilled enough to do is OK, nor should doing what we will ever be the whole of the law for us. We need a clear and specific vocabulary that enables us to choose wisely what we will do. We need to replace the word "black," not simply to drop it. Some Pagans have tried using "negative" as their substitute, but that turned out to be confusing. For some people, "negative" means any spell to diminish or banish anything. Some things - tumors, depression, bigotry - are harmful. There's nothing wrong with a working to get rid of bad stuff. "Left-handed" is another common term for wrongful practice, very traditional, but just as ignorant, superstitious and potentially harmful as the phrase "black magic" itself. So in Proteus we tried using the word "unethical." That's a lot better - free of extraneous and false implications - but still too vague. Gradually, I began to wonder whether using any one word, "black" or "unethical" or whatever, might just be too general and too subjective. Perhaps all I really tell a student that way is "Judy doesn't like that." I won't settle for blind obedience. If ethical principles are going to survive the twin tests of time and temptation, people need to understand just what to avoid, and why. Even more important, they need a basis for figuring out what to do instead. Especially when it comes to projective magic. Projectivemagic means active workings,the kind inwhich we project our will out into the world to make some kind of change. This is what most people think of when they use the word magic at all. Quite clearly, magic that may affect other people is magic that can harm. This is the basis of the proverb "a Witch who can't hex can't heal." Either you can raise and direct power, or you can't. Your strength and skill can be used for blessing or for bane. The choice - and the karma - are yours. 503 Just as some people feel that strength and skill are their own justification, others feel that any projective magic is always wrong - that it is a distraction from our one true goal of union with the Divine or a willful avoidance of the judgments of Karma. I think these attitudes are equally inconsistent with basic Wiccan philosophy. Weare taught that we will find theLady within ourselves or not at all, that the Mother of All has been with us from the beginning. We can't now establish a union that was always there. All we can do, all we need to do, is become aware. Knowing what it feels like to heal and empower, again and again till you can't dismiss it as coincidence, is one of the most powerful methods for awakening that awareness. It makes no sense to say that the direct experience and exercise of our indwelling divinity distracts from the Great Work. Indeed, it is this intimate connection between our magic and our self-realization that our ethics protect. Wrongful use of magic will choke the channel. No short term gain could ever compensate for that. The karmic argument againstpractical workings seems to meto arise from a paranoid and defeatist world view. Even if we assume that the hardships in this life were put there by the Gods for a reason, how can we be so sure that the reason was punishment? Perhaps instead of penance to be endured, our difficulties are challenges to be met. Coping and dealing with our problems, learning magical and mundane skills, changing ourselves and our world for the better - in short, growing up - is that not what the Gods of joy and freedom want from us? One of the most radically different things about a polytheistic belief system is that each one of us has the right, and the need, to choose which God/desses will be the focus of our worship. We make these choices knowing that whatever energies we invoke most often in ritual will shape our own further growth. Spiritual practices are a means of self-programming. So we are responsible for what we worship in a way that people who take their One God as a given are not. Think about this: what kind of Power actively wants us to submit and suffer, and objects when we develop skills to improve our own lives? Not a Being I'd want to invite around too often! So it will not workfor us to rule out projectivemagic completely; nor should we. Total prohibitions are as thoughtless as total permissiveness or blind obedience. Ethical and spiritual adults ought to be able to make distinctions and well-reasoned choices. I offer here a start toward analyzing what kinds of magic are not ethical for us. Baneful magicis magic done forthe explicit purposeof causing harm to another person. Usually the reason for it is revenge, and the rationalization is justice. People who defend the practice of baneful magic often ask "but wouldn't you join in cursing another Hitler?" For adults there is no rule without exceptions. If you think you would never torture somebody, consider this scenario: in just half an hour the bomb will go off, killing everybody in the city, and this terrorist knows where it is hidden.... 504 It's a bad mistake to base your ethics on wildly unlikely cases, since none of us honestly knows how we would react in that kind of extreme. Reasonable ethical statements are statements about the behaviors we expect of ourselves under normally predictable circumstances. We all getreally angry on occasion, and sometimeswith good cause. Then revenge can seem like no more than simple justice. The anger is a normal, healthy human reaction, and should not be repressed. But there's no more need to act it out in magic than in physical violence. Instead of going for revenge - and invoking the karmic consequences of baneful magic - identify what you really need. For example, if your anger comes from a feeling that you have been attacked or violated, what you need is protection and safe space. Work for the positive goal, it's both more effective and safer. The consequences of baneful magic are simply the logical, natural and inevitable psychological effects. Even in that rare and extreme situation when you may decide you really do have to use magic to give Hitler a heart attack, it means you are choosing by the same choice to accept the act's karma. Magical attack hurts the attacker first. The only way I know how to do magic is by use of my imagination, by visualizing or otherwise actively imagining the end I want, and then projecting that goal with the energy of emotional/physiological arousal. All the techniques I know either help me to imagine more specifically or to project more strongly. So the only way I can send out harm is by first experiencing that harm within my own imagination. Instant and absolute karma - the natural, logical and inevitable outcomes of our own choices. I would think, also, that somebody dumb enough to dosuch workings often would soon lose the ability to imagine specifically, as their sensitivity dulled in sheer self-defense. That callusing effect is the reality behind the pious proverb that says "if you abuse it, She'll take it away." But not every othermagician is ethical. Psychic attacksdo happen. Should we not defend ourselves? Of course we should. Leaving ourselves open to psychic attack is no good example of the autonomy and assertiveness our chosen Gods expect. But first, how can we be sure what we are experiencing really is psychic attack? Thefantasy ofpsychic attackis often aconvenient excusethat allows us to avoid looking at our own shortcomings. When lack of rest or improper nutrition is the cause of illness, or a project isn't completed on time because of distraction, it's a real temptation to put the blame outside ourselves. Doing this too easily betrays our autonomy just as badly as meek submission to attack does. Then, to compound matters, projected blame becomes an excuse for unjust revenge -- and that is baneful magic without excuse. Once in a rare while, some fool really does tryto throw a whammy. It's hard to predict when you might be targeted. Passive shields are always a good idea. Like a mirror, these are totally inactive until somebody sends unwelcome energy. Then a shield will protect you completely and bounce back whatever is being thrown. You may not even know consciously when your shield is working, but the result is perfect justice. 505 Perfect justice; elegant and efficient. You won't hurt anybody out of paranoia or by mistake. And perfect protection, even though we do not have perfect knowledge. Bindings, according to some, arecompletely defensive. They do not harm, only restrain. But imagine yourself being bound - perhaps by someone who believes themselves justified - and notice the feeling of impotence and frustration. Binding is bane from the viewpoint of the bound. Even if restraint were truly not harm, bindings are just plain poor protection. They target a particular person or group. What if you suspect the wrong person? Somebody harmless is bound and your actual attacker is not bound. Shields, which cover you, not your supposed enemy, will cover you against any enemy, known or unknown. So, baneful magic, besides being painful in the short run and crippling in the long run, is never necessary. There are better ways of self protection, and retribution is the business of the Gods. Coercive magicis magicthat targets anotherperson to makethem give us something we want or need. When most people think of the "Magic Power of Witchcraft," this is what they have in mind. The spell to make the teacher give you a good grade, or the supervisor give you a good evaluation, the spell to make the personnel officer or renting agent choose you, the spell to attract that cute guy, all are examples of coercive magic. So, what's wrong with high grades, a good job, a raise, a nice apartment and a sexy lover? There's nothing at all wrong with those goals. An it harm none, do what ye will. As long as nobody is hurt, go for it! But don't strive toward good ends by coercive means. Although there is no deliberate intent to do harm or cause pain in coercive workings, other people are treated as pawns. Their autonomy and their interests are ignored. For Pagans, to do this is total hypocrisy. We profess to follow a religion of immanence, one that places ultimate meaning and value in this life on this Earth, here and now. We claim to see every living thing, humans included, as a sacred manifestation. To do honor to this indwelling divinity, we place great value on our own personal autonomy. How can we then justify treating other people as objects for our use? Nor is it harmless. Forcing the will, controlling the independent judgement of another human being, is harm. Once again, empathy leads to understanding. Just imagine you are the person whose will and judgement is being externally controlled. How does puppethood feel? From the viewpoint of the target, the harm is palpable. 506 The Pagan and Wiccan community asa whole is also hurt by coercive magic. One of the main reasons people fear and hate Witches is our reputation for controlling others. This is an old, dirty lie, created by the invading religion in an attempt to discredit the indigenous competition. Today, that reputation is mostly perpetuated by people who claim to be "our own," who teach unethical coercive magic by mail order to strangers whose ethical sensitivity cannot be evaluated long distance. May the Gods preserve the Craft! People who are connected to thesituation, but invisible to us,may also be seriously hurt: the cute guy's fiancee, the other applicant for that job. What you think of as a working designed only to bring good to yourself can bring serious harm to innocent third parties, and the karma of their pain will be on you. That isn't the only way an incomplete view of the situation can backfire. There's a traditional saying that goes, "be careful about what you ask for, because that's exactly what you will get." What if he is gorgeous, but abusive? What if the apartment house is structurally unsound? Better to state your legitimate needs (love in my life, a nice place to live) and let the Gods deal with the details. Finally,remember this: asking specificallylimits us towhat we now know or what we can now imagine. But I remember a time when I could not have imagined being a priestess. What if the cute guy in the office is perfectly OK, but your absolutely perfect soul-mate will be in the A+P next Wednesday? The more specifically targeted your magic is, the more you limit yourself to a life of tautology and missed chances. And beyond all the scenario spinning lies the instant karma, the natural, logical and inevitable consequence of the act. It's more subtle than in the case of baneful magic, since you are not trying to imagine and project pain, but the damage is still real. Every time you treat another human being as a thing to be pushed and pulled around for your convenience and pleasure, you are reinforcing your own alienation. The attitude of being removed from and superior to other people takes you out of community. As the attitude strengthens, so will the behavior it engenders. The long term result of coercive magic, as with mundane forms of coercion, is isolation and loneliness. Are youbeginning to think thatmagic is useless?Did I justrule out all the good stuff: love charms, job magic, spells for good grades? Not at all. It is not only ethical but good for you to do lots of magic to improve your own life. Whenever it works you will get more than you asked for - because along with whatever you asked for comes one more experience of your own effectiveness, your power-from-within. Work on yourself and your own needs and desires without targeting other people. Then feel free! Ask for what you want. Visualize it and raise power for it and act in accordance on the material plane. "I need a caring and horny lover with a good sense of humor." "I want an affordable apartment near where my coven meets with a tree outside my window." "I need to be at my best when I take that exam next week." Fulfill your dreams, and sometimes let the Gods surprise you with gifts beyond your dreams. 507 Manipulative magic is magicthat targets another person forwhat we think is "their own good," without regard for their opinions in the matter. In the general culture around us, this is normal. As you read this, you may have some friend or relative praying for you to be "saved" from your evil Pagan ways and returned to the fold of their preference. These people mean you well. By their own lights, they are attempting to heal you. We work from a very different thealogical base. Aspolytheists, weaffirm thediversity of thedivine andthe divinity of diversity. If there is no one, true, right and only way in general, do we dare to assume that there is one obvious right choice for a person in any given situation? If more than one choice may be "right," how can one person presume they know what another person would want without asking them first? No life situation ever looks the same from outside as it does to the person who is experiencing it. Are you sure you even have all the facts? Are you fully aware of all the emotional entanglements involved? Perhaps that illness is the only way they have of getting rest or getting attention. Perhaps they stay in that dead end job because it leaves them more energy to concentrate on their music. How do you know till you ask? And,to furthercomplicate theanalysis, it'spossible thatthe person you are trying to help would agree with you about the most desirable outcome, but fears and hates the very idea of magic. They have as much of a right to keep magic out of their own life, as you have to make it part of yours! Ourreligion teaches thatthe sacredlives withineach person,that we can hear the Lady's voice for ourselves if we only learn to listen. "... If that which you seek, you find not within yourself, you will never find it without." In behavioral terms, when you take another person's opinion about their own life seriously, you are reinforcing them in thinking and choosing for themselves. The more you do this, the more you encourage them to listen for the sacred inner voice. Conversely, whenever you ignore or override a person's feelings about their own life, you are discounting those feelings and discouraging the kind of internal attention that can keep the channels to wisdom open. Although well-intentioned meddling may actually help somebody in the short run, in the longer run it trains them to dependency and indecision. Few intentional banes damage as severely. This is especially true because even the untrained and unaware will instinctively resist overt ill-will, but in our culture we are trained to receive "expert" interference with gratitude. Check byasking yourself, "who'sin charge here?" Theanswer to that will tell you whether you are basically empowering or undermining the person you intend to help. And, as usual, the effects go both ways. The same uninvited intervention that fosters passivity in the recipient will foster arrogance in the "rescuer." It's control and ego-inflation masked as generosity. It's very seductive. 508 If you makethis a habit, youwill come to believethat other people are incompetent and powerless. Then what happens when you need help? Your contempt will make it impossible for you to see what resources surround you. Manipulative magic is ultimately just as alienating as coercive magic - and it's a much prettier trap! The way to avoid the trap is to do no working affecting another person without that person's explicit permission. Proteans are pledged to this, and I think it's a good idea for anybody. You don'tneed to waitpassively forthe person toask. It'sperfectly all right to offer, as long as you are willing to sometimes accept "no" for your answer. For the person who believes s/he is unworthy or who is simply too shy, offering help is itself a gift. Taking their opinion seriously is an even greater gift: respect. Therule is thatwhenever itis in anyway physically possibleto ask, you must ask. If it's not important enough to pay long distance charges, it certainly isn't important enough to violate a friend's autonomy. If asking is literally not possible, then and only then, here are a few exceptions: Sometimesan illness or injuryhappens very suddenly,and the person is unconscious or in a coma before you could possibly ask them. If you know that this person is generally comfortable with magic, you may do workings to keep their basic body systems working and allow the normal healing process the time it needs. If they are opposed to magic, for whatever reason, back off! Traditionally, anunconscious personis understood tobe temporarily out of their body. Maintaining their body in habitable condition is preserving their option, not choosing for them. Doing maintenance magic requires a lot of sensitivity. At some point, the time may come when you should stop and let the person go on. Be sure to use some kind of divination to help you stay aware. This is a hard road. It may be your lover, your child, lying there helpless. Any normal human being would be tempted to drag them back, to force them to stay regardless of what is truly best for them, regardless of what they want. Don't repress these feelings, they do no harm, even though your actions might. It takes great strength and non-possessive love to recognize that your loved one knows their own need. You may be calling them back to a crippled body, to a life of pain. You may be calling them back from the ecstasy of the Goddess. And this is no more your right than it would be to murder them. If a person is temporarily not reachable, you may charge up a physical object, such as an appropriate talisman or some incense. When you present it to them, give them a full explanation. It is their choice whether to keep or use your gift. By interposing an object between the magic and the target in this way, you can work the magic in Circle, with the coven's power to draw on, and still get the person's permission before the magic is triggered. 509 With all these rulesabout permission, perhaps it would besafer to work only on ourselves? Safer, yes, but not nearly as good. If you have permission, you may do any working for another person that you might do for yourself. Coercive magic is just as unacceptable when somebody else asks for it, and you may not do manipulative magic on your friend's mother, even at your friend's request. The permission must come from the magic's intended target and from nobody else. With proper permission, working magic for others is good for all concerned. Every act of magic has two effects. One is the direct effect, the healing or prosperity working or whatever was intended. The other is a minute change in the mind and the heart of the person who does the working. Everything we experience, and especially everything that we do in a wholehearted and focused way - the only way effective magic can be done - changes us. Each experience leaves its tiny trace, but the traces are cumulative. They mold the person we will become. Our karma is our choice. Instant karma can also be good karma. Logical, natural and inevitable outcomes can be desirable. When you send out good, what you send it with is love. Love is the driving force. When you let love flow freely, the channel down to love's wellspring stays clear and open. When you send out good, you direct it along the web of person-to-person connection, and awareness of that web is reinforced. The totality of that web is the basis of community. When you send out good it feels good. In the same way that sending out bane requires imagining pain, sending out blessing requires imagining pleasure, strongly and specifically. And, when you send out good, just the same as when you call it to yourself, you reinforce your sense of effectiveness in the world. Blessings grow in the fertile ground of mutuality, to the benefit of all. A pattern isbecoming visible.In baneful magic,the magicianintends to harm the target. In coercive magic, the intent toward the target is neutral. In manipulative magic, the magician actually means the target well. But no matter how different the intent may be, in all three cases magic is done to affect another person without that person's permission. In all three cases, the target, the practitioner and ultimately the community are all hurt. And in all three cases, there are safer and more effective ways to reach the valid goals that we mean to aim for. So, perhaps there is a descriptive word that covers all wrongful magical workings after all. How about "non-consensual" or "invasive" magic? There's one thing left to examine: the paradox of making rules to protect personal autonomy. If we make some of our choices as a community, by discussing things together and arriving at a common understanding about what magical behaviors are acceptable among us, then we choose and shape the kind of community we become. Or wecould give up ourright to choose,because we feelwe shouldn't tell each other what to do. Some people believe that a refusal to set community standards promotes personal autonomy. It never has before. Appeals toindividual rights can bereal seductive. Noneof us wants Big Brother looking over our shoulders, telling us what to do "for our own 510 good." For Witches in particular - members of a religious minority with bad image problems - this is a very legitimate fear. But make sure when somebody talks about "rights" without specifying something like "religious practice rights" or "the right to consensual sex," that you find out just what "rights" they mean. Rhetoric about"rugged individualism" hasbeen usedin recenthistory to fast talk us into letting the rich or strong dominate all our lives. Without anything to stop them, they can destroy the forestland, or deny jobs or apartments to "cultists." Personal autonomy for most of us is diminished when we allow that. Magic can be used for dominance,just the same as muscle or money. There is no difference, ethically, between the magical and the mundane. We are not obligated to tolerate power trippers among us. We are not obligated to run our own community by the slogans and ground rules of the dominator culture. Thinking about "rights," or about "laws" for that matter, in the abstract leads to "all or nothing" thinking - immature and slogan driven. I don't think we should ever "just say" anything. We need a deeper and more mature analysis. We need to ask questions like "right to do what?" and "law against what?" We need to get away from absolutes and to look in practical terms at the advantages or disadvantages of our choices. Once more,our religion itself showsus the way tosteer between the false choices. "An it harm none, do what you will." What a person does that affects only herself - magical or mundane - is truly nobody's business but her own. For example, consensual sexual behavior affects only the participants. But toxic waste dumping affects everybody in the watershed. As long as we look at behavior in terms of private choices or individual will, we obscure the distinction that really makes a difference. If we're serious about wanting to give each of us the most possible control over our own lives, then decisions should be made by all the people affected by the behavior - not just by the people acting. As soon as another person is magically targeted, that other person is affected. If we allow such targeting without consent, we are not supporting personal autonomy, we are subverting it! When the behavior begins to affect us all - for example when real estate development threatens the salt marshes, and ultimately the air supply - or, very specifically, when invasive magic erodes the trust we need to work together - then we have a right to protect ourselves as a community. No ideology should turn us into passive victims when something we hold precious stands to be destroyed. Invasive magichurts the targetfirst, and soonthe actor, butin the long run it hurts all of us. It's been so long since we've been able to meet together, share our knowledge, help one another in need. Pagan community is very new, and still very fragile. It can only grow in safe space. 511 The People of this Land forbade skirmishes around the pipestone quarries, keeping that sacred source open to all. Otherwise, no sane person would go there, and the Old Ways would wither. For much the same reason, we cannot tolerate poppets in our council meetings. An atmosphere of coercion and manipulation and magical duels does not nurture community. Eventually, for self protection, the gentle will either change or go away. We could lose what we have misguidedly refused to protect. As within, so without: our karma is our choice. Judy Harrow 512 THE BATTLE FOR YOUR MIND by Dick Sutphen Persuasion & Brainwashing Techniques Being Used On The Public Today SUMMARY OF CONTENTS The Birth of Conversion/Brainwashing in Christian Revivalism in 1735. The Pavlovian explanation of the three brain phases. Born-again preachers: Step-by-Step, how they conduct a revival and the expected physiological results. The "voice roll" technique used by preachers, lawyers and hypnotists. New trance-inducing churches. The 6 steps to conversion. The decognition process. Thought-stopping techniques. The "sell it by zealot" technique. True believers and mass movements. Persuasion techniques: "Yes set," "Imbedded Commands," "Shock and Confusion," and the "Interspersal Technique." Subliminals. Vibrato and ELF waves. Inducing trance with vibrational sound. Even professional observers will be "possessed" at charismatic gatherings. The "only hope" technique to attend and not be converted. Non-detectable Neurophone programming through the skin. The medium for mass take-over. I'm Dick Sutphen andthis tape is a studio-recorded,expanded version of a talk I delivered at the World Congress of Professional Hypnotists Convention in Las Vegas, Nevada. Although the tape carries a copyright to protect it from unlawful duplication for sale by other companies, in this case, I invite individuals to make copies and give them to friends or anyone in a position to communicate this information. Although I've been interviewed about the subject on many local and regional radio and TV talk shows, large-scale mass communication appears to be blocked, since it could result in suspicion or investigation of the very media presenting it or the sponsors that support the media. Some government agencies do not want this information generally known. Nor do the Born-Again Christian movement, cults, and many human-potential trainings. Everything I will relate only exposes the surface of the problem. I don't know how the misuse of these techniques can be stopped. I don't think it is possible to legislate against that which often cannot be detected; and if those who legislate are using these techniques, there is little hope of affecting laws to govern usage. I do know that the first step to initiate change is to generate interest. In this case, that will probably only result from an underground effort. In talkingabout this subject, I am talking about my own business. I know it, and I know how effective it can be. I produce hypnosis and subliminal tapes and, in some of my seminars, I use conversion tactics to assist participants to become independent and self-sufficient. But, anytime I use these techniques, I point out that I am using them, and those attending have a choice to participate or not. They also know what the desired result of participation will be. 513 So, to begin, I want to state the most basic of all facts about brainwashing: IN THE ENTIRE HISTORY OF MAN, NO ONE HAS EVER BEEN BRAINWASHED AND REALIZED, OR BELIEVED, THAT HE HAD BEEN BRAINWASHED. Those who have been brainwashed will usually passionately defend their manipulators, claiming they have simply been "shown the light" . . . or have been transformed in miraculous ways. The Birth of Conversion CONVERSION is a "nice" word for BRAINWASHING . . . and any study of brainwashing has to begin with a study of Christian revivalism in eighteenth century America. Apparently, Jonathan Edwards accidentally discovered the techniques during a religious crusade in 1735 in Northampton, Massachusetts. By inducing guilt and acute apprehension and by increasing the tension, the "sinners" attending his revival meetings would break down and completely submit. Technically, what Edwards was doing was creating conditions that wipe the brain slate clean so that the mind accepts new programming. The problem was that the new input was negative. He would tell them, "You're a sinner! You're destined for hell!" As a result, one person committed suicide and another attempted suicide. And the neighbors of the suicidal converts related that they, too, were affected so deeply that, although they had found "eternal salvation," they were obsessed with a diabolical temptation to end their own lives. Oncea preacher, cult leader,manipulator or authority figure creates the brain phase to wipe the brain-slate clean, his subjects are wide open. New input, in the form of suggestion, can be substituted for their previous ideas. Because Edwards didn't turn his message positive until the end of the revival, many accepted the negative suggestions and acted, or desired to act, upon them. Charles J. Finney was another Christian revivalist who used the same techniques four years later in mass religious conversions in New York. The techniques are still being used today by Christian revivalists, cults, human-potential trainings, some business rallies, and the United States Armed Services . . . to name just a few. Let me point out here that I don't think most revivalist preachers realize or know they are using brainwashing techniques. Edwards simply stumbled upon a technique that really worked, and others copied it and have continued to copy it for over two hundred years. And the more sophisticated our knowledge and technology become, the more effective the conversion. I feel strongly that this is one of the major reasons for the increasing rise in Christian fundamentalism, especially the televised variety, while most of the orthodox religions are declining. The Three Brain Phases The Christians may have been the first to successfully formulate brainwashing, but we have to look to Pavlov, the Russian scientist, for a technical explanation. In the early 1900s, his work with animals opened the door to further investigations with humans. After the revolution in Russia, Lenin was quick to see the potential of applying Pavlov's research to his own ends. 514 Three distinct and progressive states of transmarginal inhibition were identified by Pavlov. The first is the EQUIVALENT phase, in which the brain gives the same response to both strong and weak stimuli. The second is the PARADOXICAL phase, in which the brain responds more actively to weak stimuli than to strong. And the third is the ULTRA-PARADOXICAL phase, in which conditioned responses and behavior patterns turn from positive to negative or from negative to positive. With the progression through each phase, the degree of conversion becomes more effective and complete. The way to achieve conversion are many and varied, but the usual first step in religious or political brainwashing is to work on the emotions of an individual or group until they reach an abnormal level of anger, fear, excitement, or nervous tension. Theprogressive result of thismental condition isto impair judgement and increase suggestibility. The more this condition can be maintained or intensified, the more it compounds. Once catharsis, or the first brain phase, is reached, the complete mental takeover becomes easier. Existing mental programming can be replaced with new patterns of thinking and behavior. Other often-used physiological weapons to modify normal brain functions are fasting, radical or high sugar diets, physical discomforts, regulation of breathing, mantra chanting in meditation, the disclosure of awesome mysteries, special lighting and sound effects, programmed response to incense, or intoxicating drugs. The sameresults can beobtained in contemporarypsychiatric treatment by electric shock treatments and even by purposely lowering a person's blood sugar level with insulin injections. Before I talk about exactlyhow some of the techniques areapplied, I want to point out that hypnosis and conversion tactics are two distinctly different things--and that conversion techniques are far more powerful. However, the two are often mixed . . . with powerful results. How Revivalist Preachers Work If you'd like to see a revivalist preacher at work, there are probably several in your city. Go to the church or tent early and sit in the rear, about three-quarters of the way back. Most likely repetitive music will be played while the people come in for the service. A repetitive beat, ideally ranging from 45 to 72 beats per minute (a rhythm close to the beat of the human heart), is very hypnotic and can generate an eyes-open altered state of consciousness in a very high percentage of people. And, once you are in an alpha state, you are at least 25 times as suggestible as you would be in full beta consciousness. The music is probably the same for every service, or incorporates the same beat, and many of the people will go into an altered state almost immediately upon entering the sanctuary. Subconsciously, they recall their state of mind from previous services and respond according to the post-hypnotic programming. Watch the people waiting for the service to begin. Many will exhibit external signs of trance--body relaxation and slightly dilated eyes. Often, they begin swaying back and forth with their hands in the air while sitting in their chairs. Next, the assistant pastor will probably come out. He usually speaks with a pretty good "voice roll." Voice Roll Technique 515 A "voice roll" is a patterned, paced style used by hypnotists when inducing a trance. It is also used by many lawyers, several of whom are highly trained hypnotists, when they desire to entrench a point firmly in the minds of the jurors. A voice roll can sound as if the speaker were talking to the beat of a metronome or it may sound as though he were emphasizing every word in a monotonous, patterned style. The words will usually be delivered at the rate of 45 to 60 beats per minute, maximizing the hypnotic effect. Now the assistant pastor begins the "build-up" process. He induces an altered state of consciousness and/or begins to generate the excitement and the expectations of the audience. Next, a group of young women in "sweet and pure" chiffon dresses might come out to sing a song. Gospel songs are great for building excitement and INVOLVEMENT. In the middle of the song, one of the girls might be "smitten by the spirit" and fall down or react as if possessed by the Holy Spirit. This very effectively increases the intensity in the room. At this point, hypnosis and conversion tactics are being mixed. And the result is the audience's attention span is now totally focused upon the communication while the environment becomes more exciting or tense. Right about this time, when an eyes-open mass-induced alpha mental state has been achieved, they will usually pass the collection plate or basket. In the background, a 45-beat-per-minute voice roll from the assistant preacher might exhort, "Give to God . . . Give to God . . . Give to God . . ." And the audience does give. God may not get the money, but his already wealthy representative will. Next, the fire-and-brimstone preacher will come out.He induces fear and increases the tension by talking about "the devil," "going to hell," or the forthcoming Armageddon. In the last such rally I attended, the preacher talked about the blood that would soon be running out of every faucet in the land. He was also obsessed with a "bloody axe of God," which everyone had seen hanging above the pulpit the previous week. I have no doubt that everyone saw it--the power of suggestion given to hundreds of people in hypnosis assures that at least 10 to 25 percent would see whatever he suggested they see. In most revivalist gatherings, "testifying" or "witnessing" usually follows the fear-based sermon. People from the audience come up on stage and relate their stories. "I was crippled and now I can walk!" "I had arthritis and now it's gone!" It is a psychological manipulation that works. After listening to numerous case histories of miraculous healings, the average guy in the audience with a minor problem is sure he can be healed. The room is charged with fear, guilt, intense excitement, and expectations. 516 Now thosewho want tobe healed are frequentlylined up aroundthe edge of the room, or they are told to come down to the front. The preacher might touch them on the head firmly and scream, "Be healed!" This releases the psychic energy and, for many, catharsis results. Catharsis is a purging of repressed emotions. Individuals might cry, fall down or even go into spasms. And if catharsis is effected, they stand a chance of being healed. In catharsis (one of the three brain phases mentioned earlier), the brain-slate is temporarily wiped clean and the new suggestion is accepted. For some, the healing may be permanent. For many, it will last four days to a week, which is, incidentally, how long a hypnotic suggestion given to a somnambulistic subject will usually last. Even if the healing doesn't last, if they come back every week, the power of suggestion may continually override the problem . . . or sometimes, sadly, it can mask a physical problem which could prove to be very detrimental to the individual in the long run. I'm not saying that legitimate healings do not take place. They do. Maybe the individual was ready to let go of the negativity that caused the problem in the first place; maybe it was the work of God. Yet I contend that it can be explained with existing knowledge of brain/mind function. The techniques and staging will vary from church to church. Many use "speaking in tongues" to generate catharsis in some while the spectacle creates intense excitement in the observers. The use of hypnotic techniques by religions is sophisticated, and professionals are assuring that they become even more effective. A man in Los Angeles is designing, building, and reworking a lot of churches around the country. He tells ministers what they need and how to use it. This man's track record indicates that the congregation and the monetary income will double if the minister follows his instructions. He admits that about 80 percent of his efforts are in the sound system and lighting. Powerful soundand the properuse of lightingare ofprimary importance in inducing an altered state of consciousness--I've been using them for years in my own seminars. However, my participants are fully aware of the process and what they can expect as a result of their participation. Six Conversion Techniques Cults and human-potential organizations are always looking for new converts. To attain them, they must also create a brain-phase. And they often need to do it within a short space of time--a weekend, or maybe even a day. The following are the six primary techniques used to generate the conversion. The meeting or training takesplace in an area whereparticipants are cut off from the outside world. This may be any place: a private home, a remote or rural setting, or even a hotel ballroom where the participants are allowed only limited bathroom usage. In human-potential trainings, the controllers will give a lengthy talk about the importance of "keeping agreements" in life. The participants are told that if they don't keep agreements, their life will never work. It's a good idea to keep agreements, but the controllers are subverting a positive human value for selfish purposes. The participants vow to themselves and their trainer that they will keep their agreements. Anyone who does not will be intimidated into agreement or forced to leave. The next step is to agree to complete training, thus assuring a high percentage of conversions for the organizations. They will USUALLY have to agree not to take drugs, smoke, 517 and sometimes not to eat . . . or they are given such short meal breaks that it creates tension. The real reason for the agreements is to alter internal chemistry, which generates anxiety and hopefully causes at least a slight malfunction of the nervous system, which in turn increases the conversion potential. Before the gathering is complete, the agreements will be used to ensure that the new converts go out and find new participants. They are intimidated into agreeing to do so before they leave. Since the importance of keeping agreements is so high on their priority list, the converts will twist the arms of everyone they know, attempting to talk them into attending a free introductory session offered at a future date by the organization. The new converts are zealots. In fact, the inside term for merchandising the largest and most successful human-potential training is, "sell it by zealot!" At least a million people are graduates and a good percentage have been left with a mental activation button that assures their future loyalty and assistance if the guru figure or organization calls. Think about the potential political implications of hundreds of thousands of zealots programmed to campaign for their guru. Be wary of an organization of this type that offers follow-up sessions after the seminar. Follow-up sessions might be weekly meetings or inexpensive seminars given on a regular basis which the organization will attempt to talk you into taking--or any regularly scheduled event used to maintain control. As the early Christian revivalists found, long-term control is dependent upon a good follow-up system. Alright. Now, let's look at the second tip-off that indicates conversion tactics are being used. A schedule is maintained that causes physical and mental fatigue. This is primarily accomplished by long hours in which the participants are given no opportunity for relaxation or reflection. The third tip-off: techniquesused to increasethe tension in theroom or environment. Number four: Uncertainty. I could spend hours relating various techniques to increase tension and generate uncertainty. Basically, the participants are concerned about being "put on the spot" or encountered by the trainers, guilt feelings are played upon, participants are tempted to verbally relate their innermost secrets to the other participants or forced to take part in activities that emphasize removing their masks. One of the most successful human-potential seminars forces the participants to stand on a stage in front of the entire audience while being verbally attacked by the trainers. A public opinion poll, conducted a few years ago, showed that the number one most-fearful situation an individual could encounter is to speak to an audience. It ranked above window washing outside the 85th floor of an office building. So you can imagine the fear and tension this situation generates within the participants. Many faint, but most cope with the stress by mentally going away. They literally go into an alpha state, which automatically makes them many times as suggestible as they normally are. And another loop of the downward spiral into conversion is successfully effected. The fifth clue that conversion tactics are being used is the introduction of jargon--new terms that have meaning only to the "insiders" who participate. Vicious language is also frequently used, purposely, to make participants uncomfortable. 518 The final tip-off isthat there isno humor in thecommunications . .. at least until the participants are converted. Then, merry-making and humor are highly desirable as symbols of the new joy the participants have supposedly "found." I'm not saying that good does not result from participation in such gatherings. It can and does. But I contend it is important for people to know what has happened and to be aware that continual involvement may not be in their best interest. Over the years,I've conductedprofessional seminars toteach peopleto be hypnotists, trainers, and counselors. I've had many of those who conduct trainings and rallies come to me and say, "I'm here because I know that what I'm doing works, but I don't know why." After showing them how and why, many have gotten out of the business or have decided to approach it differently or in a much more loving and supportive manner. Many of these trainers havebecome personal friends, and it scaresus all to have experienced the power of one person with a microphone and a room full of people. Add a little charisma and you can count on a high percentage of conversions. The sad truth is that a high percentage of people want to give away their power--they are true "believers"! Cult gatheringsor human-potential trainings arean ideal environment to observe first-hand what is technically called the "Stockholm Syndrome." This is a situation in which those who are intimidated, controlled, or made to suffer, begin to love, admire, and even sometimes sexually desire their controllers or captors. But let me inject a wordof warning here: If you think youcan attend such gatherings and not be affected, you are probably wrong. A perfect example is the case of a woman who went to Haiti on a Guggenheim Fellowship to study Haitian Voodoo. In her report, she related how the music eventually induced uncontrollable bodily movement and an altered state of consciousness. Although she understood the process and thought herself above it, when she began to feel herself become vulnerable to the music, she attempted to fight it and turned away. Anger or resistance almost always assures conversion. A few moments later she was possessed by the music and began dancing in a trance around the Voodoo meeting house. A brain phase had been induced by the music and excitement, and she awoke feeling reborn. The only hope of attending such gatherings without being affected is to be a Buddha and allow no positive or negative emotions to surface. Few people are capable of such detachment. 519 Before I go on,let's go backto the six tip-offsto conversion. Iwant to mention the United States Government and military boot camp. The Marine Corps talks about breaking men down before "rebuilding" them as new men--as marines! Well, that is exactly what they do, the same way a cult breaks its people down and rebuilds them as happy flower sellers on your local street corner. Every one of the six conversion techniques are used in boot camp. Considering the needs of the military, I'm not making a judgement as to whether that is good or bad. IT IS A FACT that the men are effectively brainwashed. Those who won't submit must be discharged or spend much of their time in the brig. Decognition Process Once the initial conversion is effected, cults, armed services, and similar groups cannot have cynicism among their members. Members must respond to commands and do as they are told, otherwise they are dangerous to the organizational control. This is normally accomplished as a three-step Decognition Process. Step One is ALERTNESS REDUCTION: The controllers cause the nervous system to malfunction, making it difficult to distinguish between fantasy and reality. This can be accomplished in several ways. POOR DIET is one; watch out for Brownies and Koolaid. The sugar throws the nervous system off. More subtle is the "SPIRITUAL DIET" used by many cults. They eat only vegetables and fruits; without the grounding of grains, nuts, seeds, dairy products, fish or meat, an individual becomes mentally "spacey." INADEQUATE SLEEP is another primary way to reduce alertness, especially when combined with long hours of work or intense physical activity. Also, being bombarded with intense and unique experiences achieves the same result. Step Two is PROGRAMMED CONFUSION: You are mentally assaulted while your alertness is being reduced as in Step One. This is accomplished with a deluge of new information, lectures, discussion groups, encounters or one-to-one processing, which usually amounts to the controller bombarding the individual with questions. During this phase of decognition, reality and illusion often merge and perverted logic is likely to be accepted. StepThree is THOUGHT STOPPING: Techniques areused to cause the mind to go "flat." These are altered-state-of-consciousness techniques that initially induce calmness by giving the mind something simple to deal with and focusing awareness. The continued use brings on a feeling of elation and eventually hallucination. The result is the reduction of thought and eventually, if used long enough, the cessation of all thought and withdrawal from everyone and everything except that which the controllers direct. The takeover is then complete. It is important to be aware that when members or participants are instructed to use "thought-stopping" techniques, they are told that they will benefit by so doing: they will become "better soldiers" or "find enlightenment." There are threeprimary techniquesused for thoughtstopping. Thefirst is MARCHING: the thump, thump, thump beat literally generates self-hypnosis and thus great susceptibility to suggestion. 520 Thesecond thought stopping technique is MEDITATION. If you spend an hour to an hour and a half a day in meditation, after a few weeks, there is a great probability that you will not return to full beta consciousness. You will remain in a fixed state of alpha for as long as you continue to meditate. I'm not saying this is bad--if you do it yourself. It may be very beneficial. But it is a fact that you are causing your mind to go flat. I've worked with meditators on an EEG machine and the results are conclusive: the more you meditate, the flatter your mind becomes until, eventually and especially if used to excess or in combination with decognition, all thought ceases. Some spiritual groups see this as nirvana--which is bullshit. It is simply a predictable physiological result. And if heaven on earth is non-thinking and non-involvement, I really question why we are here. The third thought-stopping technique is CHANTING, and often chanting in meditation. "Speaking in tongues" could also be included in this category. All three-stopping techniques produce an altered state of consciousness. This may be very good if YOU are controlling the process, for you also control the input. I personally use at least one self-hypnosis programming session every day and I know how beneficial it is for me. But you need to know if you use these techniques to the degree of remaining continually in alpha that, although you'll be very mellow, you'll also be more suggestible. True Believers & Mass Movements Before ending this section on conversion, I want to talk about the people who are most susceptible to it and about Mass Movements. I am convinced that at least a third of the population is what Eric Hoffer calls "true believers." They are joiners and followers . . . people who want to give away their power. They look for answers, meaning, and enlightenment outside themselves. Hoffer, who wrote THE TRUE BELIEVER, a classic on mass movements, says, "true believers are not intent on bolstering and advancing a cherished self, but are those craving to be rid of unwanted self. They are followers, not because of a desire for self-advancement, but because it can satisfy their passion for self-renunciation!" Hoffer also says that true believers "are eternally incomplete and eternally insecure"! I know this from my own experience. In my years of communicating concepts and conducting trainings, I have run into them again and again. All I can do is attempt to show them that the only thing to seek is the True Self within. Their personal answers are to be found there and there alone. I communicate that the basics of spirituality are self-responsibility and self-actualization. But most of the true believers just tell me that I'm not spiritual and go looking for someone who will give them the dogma and structure they desire. Never underestimate the potential danger of these people. They can easily be molded into fanatics who will gladly work and die for their holy cause. It is a substitute for their lost faith in themselves and offers them as a substitute for individual hope. The Moral Majority is made up of true believers. All cults are composed of true believers. You'll find them in politics, churches, businesses, and social cause groups. They are the fanatics in these organizations. 521 Mass Movements will usually havea charismatic leader. The followers want to convert others to their way of living or impose a new way of life--if necessary, by legislating laws forcing others to their view, as evidenced by the activities of the Moral Majority. This means enforcement by guns or punishment, for that is the bottomline in law enforcement. A common hatred, enemy, or devil is essential to the success of a mass movement. The Born-Again Christians have Satan himself, but that isn't enough--they've added the occult, the New Age thinkers and, lately, all those who oppose their integration of church and politics, as evidenced in their political reelection campaigns against those who oppose their views. In revolutions, the devil is usually the ruling power or aristocracy. Some human-potential movements are far too clever to ask their graduates to join anything, thus labeling themselves as a cult--but, if you look closely, you'll find that their devil is anyone and everyone who hasn't taken their training. There are mass movements without devils but they seldom attain major status. The True Believers are mentally unbalanced or insecure people, or those without hope or friends. People don't look for allies when they love, but they do when they hate or become obsessed with a cause. And those who desire a new life and a new order feel the old ways must be eliminated before the new order can be built. Persuasion Techniques Persuasion isn't technically brainwashing but it is the manipulation of the human mind by another individual, without the manipulated party being aware what caused his opinion shift. I only have time to very basically introduce you to a few of the thousands of techniques in use today, but the basis of persuasion is always to access your RIGHT BRAIN. The left half of your brain is analytical and rational. The right side is creative and imaginative. That is overly simplified but it makes my point. So, the idea is to distract the left brain and keep it busy. Ideally, the persuader generates an eyes-open altered state of consciousness, causing you to shift from beta awareness into alpha; this can be measured on an EEG machine. First, let me give you an example of distracting the left brain. Politicians use these powerful techniques all the time; lawyers use many variations which, I've been told, they call "tightening the noose." Assume for a moment that you are watching a politician give a speech. First, he might generate what is called a "YES SET." These are statements that will cause listeners to agree; they might even unknowingly nod their heads in agreement. Next come the TRUISMS. These are usually facts that could be debated but, once the politician has his audience agreeing, the odds are in the politician's favor that the audience won't stop to think for themselves, thus continuing to agree. Last comes the SUGGESTION. This is what the politician wants you to do and, since you have been agreeing all along, you could be persuaded to accept the suggestion. Now, if you'll listen closely to my political speech, you'll find that the first three are the "yes set," the next three are truisms and the last is the suggestion. 522 "Ladies and gentlemen: are you angry abouthigh food prices? Are you tired of astronomical gas prices? Are you sick of out-of-control inflation? Well, you know the Other Party allowed 18 percent inflation last year; you know crime has increased 50 percent nationwide in the last 12 months, and you know your paycheck hardly covers your expenses any more. Well, the answer to resolving these problems is to elect me, John Jones, to the U.S. Senate." And I think you've heard all that before. But you might also watch for what are called Imbedded Commands. As an example: On key words, the speaker would make a gesture with his left hand, which research has shown is more apt to access your right brain. Today's media-oriented politicians and spellbinders are often carefully trained by a whole new breed of specialist who are using every trick in the book--both old and new--to manipulate you into accepting their candidate. The concepts and techniques of Neuro-Linguistics are so heavily protected that I found out the hard way that to even talk about them publicly or in print results in threatened legal action. Yet Neuro-Linguistic training is readily available to anyone willing to devote the time and pay the price. It is some of the most subtle and powerful manipulation I have yet been exposed to. A good friend who recently attended a two-week seminar on Neuro-Linguistics found that many of those she talked to during the breaks were government people. Another technique that I'm just learning about is unbelievably slippery; it is called an INTERSPERSAL TECHNIQUE and the idea is to say one thing with words but plant a subconscious impression of something else in the minds of the listeners and/or watchers. Let me give you an example: Assume you are watching a television commentator make the following statement: SENATOR JOHNSON is assisting local authorities to clear up the stupid mistakes of companies contributing to the nuclear waste problems." It sounds like a statement of fact, but, if the speaker emphasizes the right word, and especially if he makes the proper hand gestures on the key words, you could be left with the subconscious impression that Senator Johnson is stupid. That was the subliminal goal of the statement and the speaker cannot be called to account for anything. Persuasion techniques are also frequently used on a much smaller scale with just as much effectiveness. The insurance salesman knows his pitch is likely to be much more effective if he can get you to visualize something in your mind. This is right-brain communication. For instance, he might pause in his conversation, look slowly around your living room and say, "Can you just imagine this beautiful home burning to the ground?" Of course you can! It is one of your unconscious fears and, when he forces you to visualize it, you are more likely to be manipulated into signing his insurance policy. 523 The Hare Krishnas, operating in every airport,use what I call SHOCK AND CONFUSION techniques to distract the left brain and communicate directly with the right brain. While waiting for a plane, I once watched one operate for over an hour. He had a technique of almost jumping in front of someone. Initially, his voice was loud then dropped as he made his pitch to take a book and contribute money to the cause. Usually, when people are shocked, they immediately withdraw. In this case they were shocked by the strange appearance, sudden materialization and loud voice of the Hare Krishna devotee. In other words, the people went into an alpha state for security because they didn't want to confront the reality before them. In alpha, they were highly suggestible so they responded to the suggestion of taking the book; the moment they took the book, they felt guilty and responded to the second suggestion: give money. We are all conditioned that if someone gives us something, we have to give them something in return--in that case, it was money. While watching this hustler, I was close enough to notice that many of the people he stopped exhibited an outward sign of alpha--their eyes were actually dilated. Subliminal Programming Subliminals are hidden suggestions that only your subconscious perceives. They can be audio, hidden behind music, or visual, airbrushed into a picture, flashed on a screen so fast that you don't consciously see them, or cleverly incorporated into a picture or design. Most audio subliminal reprogramming tapes offer verbal suggestions recorded at a low volume. I question the efficacy of this technique--if subliminals are not perceptible, they cannot be effective, and subliminals recorded below the audible threshold are therefore useless. The oldest audio subliminal technique uses a voice that follows the volume of the music so subliminals are impossible to detect without a parametric equalizer. But this technique is patented and, when I wanted to develop my own line of subliminal audio cassettes, negotiations with the patent holder proved to be unsatisfactory. My attorney obtained copies of the patents which I gave to some talented Hollywood sound engineers, asking them to create a new technique. They found a way to psycho-acoustically modify and synthesize the suggestions so that they are projected in the same chord and frequency as the music, thus giving them the effect of being part of the music. But we found that in using this technique, there is no way to reduce various frequencies to detect the subliminals. In other words, although the suggestions are being heard by the subconscious mind, they cannot be monitored with even the most sophisticated equipment. If we were able to come up withthis technique as easily as we did,I can only imagine how sophisticated the technology has become, with unlimited government or advertising funding. And I shudder to think about the propaganda and commercial manipulation that we are exposed to on a daily basis. There is simply no way to know what is behind the music you hear. It may even be possible to hide a second voice behind the voice to which you are listening. Theseries by Wilson Bryan Key, Ph.D., on subliminals in advertising and political campaigns well documents the misuse in many areas, especially printed advertising in newspapers, magazines, and posters. 524 The big question about subliminals is: dothey work? And I guarantee you they do. Not only from the response of those who have used my tapes, but from the results of such programs as the subliminals behind the music in department stores. Supposedly, the only message is instructions to not steal: one East Coast department store chain reported a 37 percent reduction in thefts in the first nine months of testing. A 1984 article in the technical newsletter, "Brain-Mind Bulletin," states that as much as 99 percent of our cognitive activity may be "non-conscious," according to the director of the Laboratory for Cognitive Psychophysiology at the University of Illinois. The lengthy report ends with the statement, "these findings support the use of subliminal approaches such as taped suggestions for weight loss and the therapeutic use of hypnosis and Neuro-Linguistic Programming." Mass Misuse I could relatemany stories that support subliminal programming, but I'd rather use my time to make you aware of even more subtle uses of such programming. I have personally experienced sitting in a Los Angeles auditorium with over ten thousand people who were gathered to listen to a current charismatic figure. Twenty minutes after entering the auditorium, I became aware that I was going in and out of an altered state. Those accompanying me experienced the same thing. Since it is our business, we were aware of what was happening, but those around us were not. By careful observation, what appeared to be spontaneous demonstrations were, in fact, artful manipulations. The only way I could figure that the eyes-open trance had been induced was that a 6- to 7-cycle-per-second vibration was being piped into the room behind the air conditioner sound. That particular vibration generates alpha, which would render the audience highly susceptible. Ten to 25 percent of the population is capable of a somnambulistic level of altered states of consciousness; for these people, the suggestions of the speaker, if non-threatening, could potentially be accepted as "commands." Vibrato This leads to the mention of VIBRATO. Vibrato is the tremulous effect imparted in some vocal or instrumental music, and the cycle-per-second range causes people to go into an altered state of consciousness. At one period of English history, singers whose voices contained pronounced vibrato were not allowed to perform publicly because listeners would go into an altered state and have fantasies, often sexual in nature. People who attend operaor enjoy listeningto singers like MarioLanza are familiar with this altered state induced by the performers. ELFs Now, let's carry this awareness a little farther. There are also inaudible ELFs (extra-low frequency waves). These are electromagnetic in nature. One of the primary uses of ELFs is to communicate with our submarines. Dr. Andrija Puharich, a highly respected researcher, in an attempt to warn U.S. officials about Russian use of ELFs, set up an experiment. Volunteers were wired so their brain waves could be measured on an EEG. They were sealed in a metal room that could not be penetrated by a normal signal. Puharich then beamed ELF waves at the volunteers. ELFs go right through 525 the earth and, of course, right through metal walls. Those inside couldn't know if the signal was or was not being sent. And Puharich watched the reactions on the technical equipment: 30 percent of those inside the room were taken over by the ELF signal in six to ten seconds. When I say "taken over," I mean that their behavior followed the changes anticipated at very precise frequencies. Waves below 6 cycles per second caused the subjects to become very emotionally upset, and even disrupted bodily functions. At 8.2 cycles, they felt very high . . . an elevated feeling, as though they had been in masterful meditation, learned over a period of years. Eleven to 11.3 cycles induced waves of depressed agitation leading to riotous behavior. The Neurophone Dr. PatrickFlanagan is a personalfriend of mine. Inthe early 1960s, as a teenager, Pat was listed as one of the top scientists in the world by "Life" magazine. Among his many inventions was a device he called the Neurophone--an electronic instrument that can successfully program suggestions directly through contact with the skin. When he attempted to patent the device, the government demanded that he prove it worked. When he did, the National Security Agency confiscated the neurophone. It took Pat two years of legal battle to get his invention back. In using thedevice, you don't hear or see a thing; it is applied to the skin, which Pat claims is the source of special senses. The skin contains more sensors for heat, touch, pain, vibration, and electrical fields than any other part of the human anatomy. In one of his recent tests, Pat conducted two identical seminars for a military audience--one seminar one night and one the next night, because the size of the room was not large enough to accommodate all of them at one time. When the first group proved to be very cool and unwilling to respond, Patrick spent the next day making a special tape to play at the second seminar. The tape instructed the audience to be extremely warm and responsive and for their hands to become "tingly." The tape was played through the neurophone, which was connected to a wire he placed along the ceiling of the room. There were no speakers, so no sound could be heard, yet the message was successfully transmitted from that wire directly into the brains of the audience. They were warm and receptive, their hands tingled and they responded, according to programming, in other ways that I cannot mention here. The more we find out about how human beings work through today's highly advanced technological research, the more we learn to control human beings. And what probably scares me the most is that the medium for takeover is already in place! The television set in your living room and bedroom is doing a lot more than just entertaining you. Before I continue, let me point out something else about an altered state of consciousness. When you go into an altered state, you transfer into right brain, which results in the internal release of the body's own opiates: enkephalins and Beta-endorphins, chemically almost identical to opium. In other words, it feels good . . . and you want to come back for more. 526 Recent tests byresearcher Herbert Krugman showedthat, while viewers were watching TV, right-brain activity outnumbered left-brain activity by a ratio of two to one. Put more simply, the viewers were in an altered state . . . in trance more often than not. They were getting their Beta-endorphin "fix." To measure attention spans, psychophysiologist Thomas Mulholland of the Veterans Hospital in Bedford, Massachusetts, attached young viewers to an EEG machine that was wired to shut the TV set off whenever the children's brains produced a majority of alpha waves. Although the children were told to concentrate, only a few could keep the set on for more than 30 seconds! Most viewers are already hypnotized. To deepen the trance is easy. One simple way is to place a blank, black frame every 32 frames in the film that is being projected. This creates a 45-beat-per-minute pulsation perceived only by the subconscious mind--the ideal pace to generate deep hypnosis. The commercials or suggestions presented following this alpha-inducing broadcast are much more likely to be accepted by the viewer. The high percentage of the viewing audience that has somnambulistic-depth ability could very well accept the suggestions as commands--as long as those commands did not ask the viewer to do something contrary to his morals, religion, or self-preservation. The medium for takeover is here. By the age of 16, children have spent 10,000 to 15,000 hours watching television--that is more time than they spend n school! In the average home, the TV set is on for six hours and 44 minutes per day--an increase of nine minutes from last year and three times the average rate of increase during the 1970s. It obviously isn't getting better . . . we are rapidly moving into an alpha-level world--very possibly the Orwellian world of "1984"--placid, glassy-eyed, and responding obediently to instructions. A research project by Jacob Jacoby, a Purdue University psychologist, found that of 2,700 people tested, 90 percent misunderstood even such simple viewing fare as commercials and "Barnaby Jones." Only minutes after watching, the typical viewer missed 23 to 36 percent of the questions about what he or she had seen. Of course they did--they were going in and out of trance! If you go into a deep trance, you must be instructed to remember--otherwise you automatically forget. I have just touched the tip of the iceberg. When you start to combine subliminal messages behind the music, subliminal visuals projected on the screen, hypnotically produced visual effects, sustained musical beats at a trance-inducing pace . . . you have extremely effective brainwashing. Every hour that you spend watching the TV set you become more conditioned. And, in case you thought there was a law against any of these things, guess again. There isn't! There are a lot of powerful people who obviously prefer things exactly the way they are. Maybe they have plans for? 527 A NEO-PAGAN FILMOGRAPHY An Annotated List of Recommended Viewing ======================= (compiled 3/89) by Mike Nichols Although this list is a long one, it could easily have been much longer. In fact, the hard part was deciding which of many good movies had to be left out, due to limitations of space. So I used a few rules to guide me. First, I gave preference to movies that had a strong Pagan message, as opposed to films that are 'merely' entertaining. Thus, a film like 'Never Cry Wolf', though it has no supernatural elements, made the list; whereas superbly crafted atmospheric entertainments like 'Gothic' and 'Eyes of Fire' didn't. Second, in dealing with the supernatural, I concentrated on films that informed, or at least stayed within the realms of possibility. Hence, I include 'The Haunting', but not 'Poltergeist'. Inevitably, I will have left out some of your favorites, for which I apologize in advance. But I had to stop somewhere. APPRENTICE TO MURDER, 1988, C-94m D: R.L. Thomas. Donald Sutherland, Chad Lowe, Mia Sara, Knut Husebo, Rutanya Alsa. Intriguing fact-based story of a man who was a 'hex-meister' in the Pennsylvania Dutch tradition. His practice of folk medicine lands him in trouble with the law, and a final confrontation with a rival sorcerer leads to a charge of murder. Sutherland is appealing in the lead role, and the story unfolds mainly through his eyes. Mia Sara does a nice job in a supporting role. There's a lot of authentic folk magic to lend atmosphere. THE BELIEVERS, 1987, C-114m D: John Schlesinger. Martin Sheen, Helen Shaver, Harley Cross, Robert Loggia, Elizabeth Wilson, Lee Richardson, Harris Yulin, Richard Masur, Carla Pinza, Jimmy Smits. Afterthe death ofhis wife, Sheen andhis son moveto New York City, where they become involved in a grisly series of cultish human sacrifices. Although the religion of Santeria is unfortunately shown in a negative light, there is enough authenticity to lend lots of interest. A gripping thriller. BELL, BOOK, AND CANDLE, 1958, C-103m D: Richard Quine. James Stewart, Kim Novak, Jack Lemmon, Ernie Kovaks, Hermione Gingold. Yes, I'm well aware that this movie, based on the John Van Druten play, is responsible for more misinformation about Witchcraft than anything outside the 'Bewitched' TV series. Still, I hardly know a Pagan who doesn't love it. For many of us, it was the first time we'd encountered the idea of Witchcraft alive and well in a modern metropolis. And Kim Novak is STILL my idea of what a Witch OUGHT to look like. And none of us will ever forget Kovak's reading of the line 'Witches, boy! Witches!' Or Stewart's offhand comment that it feels more like Halloween than Christmas. Lots of fun. 528 BROTHER SUN, SISTER MOON, 1973-Italian-British, C-121m D: Franco Zeffirelli. Graham Faulkner, Judi Bowker, Leigh Lawson, Alec Guinness, Valentina Cortese, Kenneth Cranham For most Pagans, St. Francis of Assisi is usually considered an honorary Pagan, at the very least. His insistence on finding divinity in nature is exactly what Paganism is all about. This film biography portrays his extreme love of and sensitivity to nature with poignant beauty. And the musical score by Donovan is such a perfect choice that, having heard it, nothing else would ever do. This is also a visually stunning film, as those who remember Zefferelli's 'Romeo and Juliet' might expect. If ever Christianity could be made palatable to the sensibilities of Neo-Pagans, it would have to be through the eyes of a nature mystic like Francis. The Catholic Church came close to naming him a heretic but, at the last minute, the Pope (played by Alec Guinness) sanctioned him. (Old Obi Wan comes through again!) BURN, WITCH, BURN!, 1962-British, 90m D: Sidney Hayers. Janey Blair, Peter Wyngarde, Margaret Johnston, Anthony Nicholls. Based on the Fritz Leiber classic 'Conjure Wife' and scripted by Richard Matheson, this is an interesting view of Witchcraft. Granted, this has as many misconceptions as 'Bell, Book, and Candle', yet the premise is intriguing: that ALL women are secretly Witches, and ALL men don't know about it. This is mainly about one woman's use of magic to advance the career of her schoolteacher husband. DARBY O'GILL AND THE LITTLE PEOPLE, 1959, C-93m D: Robert Stevenson. Albert Sharpe, Janet Munro, Sean Connery, Jimmy O'Dea, Kieron Moore, Estelle Winwood. Simply the best fantasy ever filmed. No kidding. This is a PERFECT little movie, and (along with 'The Quiet Man') the ultimate St. Patrick's Day film. Sharpe is sensational as Darby O'Gill, who likes to sit in the pub telling stories about his adventures with the King of the Leprechauns. Unbeknownst to everyone, they are TRUE stories! Every tidbit of Irish folklore, from banshees to the crock of gold to the costa bower (the death coach) is worked into the plot. The music and songs are great. So is the cast, many of whom were brought over from the Abbey Theater in Dublin! Sean Connery makes his screen debut, in a SINGING role! The subsequent untimely death of Janet Munro robbed the screen of one of its brightest actresses. (Her character's combination of willfulness and femininity is a textbook study. Compared to her, Princess Leia's character is not 'strong-willed' -- it's just snotty!) The special effects are miraculous for 1959! When Darby walks into King Brian's throne room, we walks THROUGH a crowd of Leprechauns, and I defy anyone to find a matte line! In fact, the special effects are so good throughout, that you FORGET that they're special effects, and end up deciding that they must have rounded up some real Leprechauns from somewhere. 529 THE DARK CRYSTAL, 1983-British, C-94m D: Jim Henson and Frank Oz. Performed by Jim Henson, Kathryn Mullen, Frank Oz, Dave Goelz, Brian Muehl, Jean Pierre Amiel, Kiran Shaw. The creators of the Muppets come up with an entire fantasy world, where even the flora and fauna are original. And this world is in grave peril unless the missing shard of the Dark Crystal can be found and restored to it. This is a hero-quest in the classic mold, with art stylings by Brian Froud. Although wonderfully imaginative and entertaining, it has a very strong message of mysticism, all about universal balance and the synthesis of opposites. (One wonders if the entire quartz crystal fad of the late 1980's had its origins here!) DON'T LOOK NOW, 1973-British, C-110m D: Nicolas Roeg. Julie Christie, Donald Sutherland, Hilary Mason, Clelia Matania, Massimo Serato. Based ona so-so occultthriller by Daphnedu Maurier, thisbecomes a brilliant film in the hands of Italian director Nicolas Roeg (famed for 'The Man Who Fell to Earth). Shortly after their daughter has drowned, Sutherland (who restores mosaics in old churches) and his wife go to Venice where they meet two sisters who are spiritualists. They begin to receive messages from the daughter, who keeps warning Sutherland to leave Venice because he is in mortal danger. If ever a film captured the real feeling of how psychic ability operates, this is it. The use of subjective editing, and the symbolic use (and total control of!) color throughout the film is masterful. (This film also contains one of the most stylish love scenes ever filmed.) Squeamish people need to be warned about the violent ending, however. THE DUNWICH HORROR, 1970, C-90m D: Daniel Haller. Sandra Dee, Dean Stockwell, Ed Begley, Sam Jaffe, Lloyd Bochner, Joanna Moore, Talia Coppolia (Shire). Nice adaptation of an H. P.Lovecraft story, with a wonderfulcast. Dean Stockwell is the quintessential ritual magician, both mysterious and compelling. He steals the original 'Necronomicon' from a library in order to 'bring back the Old Ones', a race of powerful but dark beings that inhabited the earth before humans. Sam Jaffe is wonderful as his crazed grandfather. (What happened to the father is part of the mystery!) And Sandra Dee is perfect as the innocent virgin chosen to be the unwilling host mother for the rebirth of these demons. (Some versions of the film cut the last scene short, which shows a developing fetus superimposed over Dee's abdomen. 'Nuff said.) By the way, no film has ever shown the raw power of otherworldly beings as well as this. No 'latex lovelies' here. Just pure, unadulterated elemental force. Nice job! THE EMERALD FOREST, 1985, C-113m D: John Boorman. Powers Boothe, Meg Foster, Charley Boorman, Dira Pass. A look atour ownculture through theeyes of theaboriginal tribesof the Amazon. (They call us the 'termite people', because of the deforestation and industrial development we have brought to their homeland.) The director's son, Charley, is totally convincing as a young boy raised by aborigines. Great music by Junior Homrich. 530 THE ENTITY, 1983, C-115m D: Sidney J. Furie. Barbara Hershey, Ron Silver, Jacqueline Brooks, David Lablosa, George Coe, Margaret Blye. The trulyfrightening thing about thismovie is that it'sbased on a true story, about a woman who is repeatedly violently raped by an invisible presence. Initially, she seeks the help of a psychologist, who is a strict behaviorist and thinks that it is all 'in her mind'. It is not until a chance encounter with a team of parapsychologist from the local university that she finally finds people who understand her problem. One of the film's great strengths is its portrayal of the professional rivalry that develops between the psychologist (who has begun taking a personal interest) and the parapsychologists, who are interested in investigating the phenomena. The final scene in the gymnasium is the only part of the film based on speculation only. At last report, the case was still active. EXCALIBUR, 1981-British, C-140m D: John Boorman. Nicol Williamson, Nigel Terry, Helen Mirren, Nicholas Clay, Cherie Lunghi, Corin Redgrave, Paul Geoffrey. A stylish adaptationof ThomasMalory's 'Le MorteD'Arthur'. Boorman knew exactly what he was doing in combining certain key characters and keeping the spirit of the legends. The Grail Quest is especially well handled. Williamson's Merlin and Mirren's Morgana are both brilliant performances. Great music. Try to see this one on the big screen. HARVEY, 1950, 104m D: Henry Koster. James Stewart, Josephine Hull, Peggy Dow, Charles Drake, Cecil Kellaway, Victoria Horne, Jesse White, Wallace Ford, Ida Moore. Imagine a movie that chooses as its main theme a Welsh animal spirit called a pooka (or 'pwcca' in Welsh)! That would be improbable enough by today's standards. But the fact that it happened in a 1940's Pulitzer Prize-winning play and subsequent movie boggles the mind! The pooka in question is a 6-foot invisible rabbit named Harvey, who manifests himself only to a gentle tippler named Elwood P. Dowd, played to perfection by Stewart. Jesse White (the lonely Maytag repairman) made his film debut here. Few movies are as much fun as this. THE HAUNTING, 1963, 112m D: Robert Wise. Julie Harris, Claire Bloom, Richard Johnson, Russ Tamblyn, Lois Maxwell, Fay Compton Based on ShirleyJackson's masterpiece 'TheHaunting of HillHouse', this is probably the ultimate ghost movie. A parapsychologist and a team of student assistants investigate a haunted house. Based on the premise that no ghost ever hurts anyone physically; the damage is always done by the victim to himself, psychologically. Julie Harris is marvelous. INHERIT THE WIND, 1960, 127m D: Stanley Kramer. Spencer Tracy, Fredric March, Gene Kelly, Florence Eldridge, Dick York, Harry Morgan, Donna Anderson, Elliot Reid, Claude Akins, Noah Beery, Jr., Norman Fell. This should be required viewing for every Pagan. For many of us, there came a time when our own ideologies simply collided head-on with fundamental Christian faith, and we knew we could no longer accept it. Never has a movie embodied this theme so well. Based on the play by Jerome Lawrence and Robert E. Lee, it deals with the Scopes Monkey Trial of 1925 in Tennessee, where a high school teacher was arrested for teaching Darwin's Theory of Evolution. The debate that ensued was between two of the most brilliant minds of their day, the great trial lawyer Clarence Darrow for the defense, and two-time Presidential candidate William Jennings Bryan for the prosecution. Kelly's character is based on acid-tongued columnist H. L. Mencken. This is riveting, from first to last. 531 JONATHAN LIVINGSTON SEAGULL, 1973, C-120m D: Hal Bartlett. Many seagulls. Although the film is flawed and drags a little toward the end, it is nevertheless well worth seeing. The photography is beautiful, and Neil Diamond's score (including 'Skybird') is marvelous. It is, of course, based on Richard Bach's marvelous tale of a little seagull that refuses to fit in with his flock, preferring to follow a higher, more mystical, calling. This is yet another one you should try to see on the big screen. LADYHAWKE, 1985, C-124m D: Richard Donner. Matthew Broderick, Rutger Hauer, Michelle Pfeiffer, Leo McKern, John Wood, Ken Hutchison, Alfred Molina. Whoever decidedon themusic for thisfilm should beshot! Think what a nice soundtrack by Clannad would have been like. That reservation aside, this is a great medieval fantasy concerning two lovers who have been separated by a curse, and a young thief who becomes their ally, an unusual but charming role for Matthew Broderick. (If anyone ever gets around to filming Katherine Kurtz's 'Deryni' books, this is the team that ought to do it.) THE LAST UNICORN, 1982, C-84m D: Rankin & Bass. Voices of Mia Farrow, Alan Arkin, Jeff Bridges, Tammy Grimes, Robert Klein, Angela Lansbury, Christopher Lee. Based on theincomparable fantasy novel by PeterS. Beagle, this is very adult animation. And because Beagle himself wrote the screenplay, this film contains spiritual one-liners that hit you right in the gut. Example: 'Never run from anything immortal. It attracts their attention.' Though this is NOT classic Disney animation (in fact, it looks like limited animation), the voice-work, screenplay, and art stylings are all so good, you're inclined to overlook it. Angela Lansbury's character voice for Mommy Fortuna is marvelous. And there's a lovely lyrical score by the group America. THE LAST WAVE, 1977-Australian, C-106m D: Peter Weir. Richard Chamberlain, Olivia Hamnett, (David) Gulpilil, Frederick Parslow, Vivean Gray, Nanjiwarra Amagula. Chamberlainplays anAustralian lawyerdefending anaborigine accused of a murder that was actually done by magic. This is a rare and wonderful glimpse into the tribal religion of the native Australians, their myths, and their belief in the Dream Time. Peter Weir (famed for 'Picnic at Hanging Rock') directs this atmospheric thriller. LEGEND, 1985-British, C-89m D: Ridley Scott. Tom Cruise, Mia Sara, Tim Curry, David Bennent, Alice Playten, Billy Barty. Oneof the mostvisually luscious filmsever created. Every frame is gorgeous. The plot is nearly archetypal, with evil (Curry) attempting to seduce innocence (Sara). Though it's hard to accept Cruise as the hero of this Grimm's-like fairy tale, Curry and Sara turn in good performances. The European version runs 20 minutes longer and retains the original (and, in my opinion, superior) musical score by Jerry Goldsmith. The American score is by Tangerine Dream. 532 THE LORD OF THE RINGS, 1978, C-133m D: Ralph Bakshi. Voices of Christopher Guard, William Squire, John Hurt, Michael Sholes, Dominic Guard. This ambitious but flawed animated feature covers half of J.R.R. Tolkien's fantasy trilogy, ending much too abruptly. But for all the criticism usually heaped upon this film, there ARE moments of absolute genius. Such as the Dark Riders attempting to kill Frodo and friends in their beds at the Prancing Pony Inn. Or Gandalf and Frodo's moonlit walk through the Shire. Or the first time Frodo puts on the ring. These moments alone make the movie well worth seeing. NEVER CRY WOLF, 1983, C-105m D: Carroll Ballard. Charles Martin Smith, Brian Dennehy, Zachary Ittimangnaq, Samson Jorah. A brilliant performance by Smith (based on author Farley Mowat) as a young man sent to study wolves in the Arctic. Again, we are treated to the insights of the native culture (the Innuit), and are shown how it has been debased through contact with our own greedy culture. This film contains some of the most spectacular nature photography ever put on film. Ballard was chief nature photographer for Disney Studios for years. Try to see this one on the big screen. NOSFERATU THE VAMPYRE, 1979-West German, C-107m D: Werner Herzog. Klaus Kinski, Isabelle Adjani, Bruno Ganz, Roland Topor. Forvampire lovers, this film isthe creme de lacreme. Werner Herzog is a leader of modern German Expressionist cinema, and here he is operating at the top of his form. The spooky atmosphere is so thick you could peel it off the screen in layers. (Try to see this one in the theater.) The creepiness of Kinski's Dracula is equaled only by the classic beauty of Adjani's Lucy. This is the perfect film for Halloween night. The German language version with English subtitles is far superior to the English version, and slightly longer. (The SOUND of the German dialogue actually fits the mood of the film better.) ON A CLEAR DAY YOU CAN SEE FOREVER, 1970, C-129m D: Vincente Minnelli. Barbra Streisand, Yves Montand, Bob Newhart, Larry Blyden, Simon Oakland, Jack Nicholson. Alan Lerner & Burton Lane score. Probablyinspired by the case of BrideyMurphy, this musical is all about hypnosis, past life regression, ESP, reincarnation, and other 'New Age' topics (though 20 years too early). (One wonders how Shirley MacLaine missed starring in this. Yet, one is thankful for small favors.) Streisand is wonderful, especially in the lavish flashback sequences. Montand should have been replaced. Still, the plot's surprising turns are well within the realm of supernatural possibility. 533 THE SERPENT AND THE RAINBOW, 1988, C-98m D: Wes Craven. Bill Pullman, Cathy Tyson, Zakes Mokae, Paul Winfield, Brent Jennings, Theresa Merritt, Michael Gough. Directed by Wes Craven (famed for his 'Nightmare on Elm Street' series), this is the true story of Wade Davis, an ethnobotanist who is sent to Haiti to bring back the secret of the so-called Zombie drug, tetrodotoxin. But the local practitioners of 'Voodoo' don't yield their secrets too easily and, before it's all over, Davis finds himself a victim of the drug -- which gives Craven carte blanche for the wonderful special effects he's famous for. Like 'The Believers', this film unfortunately shows the native religion (Voudoun) primarily in a negative light. Still, at times it manages to capture its beauty, mystery and innocence, especially in the festival scenes when the entire village spends the night asleep in a candle-lighted forest. 7 FACES OF DR. LAO, 1964, C-100m D: George Pal. Tony Randall, Barbara Eden, Arthur O'Connell, John Ericson, Kevin Tate, Argentina Brunetti, Noah Beery, Jr., Minerva Urecal, John Qualen, Lee Patrick, Royal Dano. For people who think that decent fantasy films are a recent development, this movie is going to come as a delightful surprise. The special effects and gentle magic of director George Pal was the perfect means of bringing the Charles Finney classic 'The Circus of Dr. Lao' to the screen. Randall, in a tour de force performance of six roles, is the mysterious Chinese guru, Dr. Lao, whose travelling circus changes the course of history for a small Western town. For the better. A lovely and funny film with a spiritual dimension that would appeal to every Pagan. Nice musical score by Leigh Harline combines Western and Oriental music. SILENT RUNNING, 1971, C-89m D: Douglas Trumbull. Bruce Dern, Cliff Potts, Ron Rifkin, Jesse Vint. Should be subtitled 'Druidsin Spaaaaace!!!' Aboard thedeep space ship Valley Forge, the very talented Bruce Dern (in his most likable film role ever) battles to save the last vestiges of the Earth's forests. Special effects by the team that created '2001'. And a brilliant musical score by Peter Schickele (whose better-known comic persona is P.D.Q. Bach), sung by Joan Baez. SLEEPING BEAUTY, 1959, C-75m D: Clyde Geronimi. Voices of Mary Costa, Bill Shirley, Elinor Audley, Verna Felton, Barbara Jo Allen, Barbara Luddy. The all-time masterpiece of the animator's art, this is the most lavish and most expensive (by contemporary standards) animated feature ever done by Disney studios. The uninitiated may babble about 'Fantasia', but the true cognoscente of animation know that THIS is the apogee of the art form. From the lush color stylings (heavy use of greens and purples), to the elegantly stylized backgrounds, to the figure of Maleficent (designed by Marc Davis), to a fire-breathing dragon that wasn't equaled until 'Dragonslayer', this film is superb. Voice work by Audley and Felton is outstanding. The film should also serve as a textbook example of how to adapt a classical score (Tchaikovsky's 'Sleeping Beauty Ballet') to a movie soundtrack. Never has it been done better. See it. One last consideration: this was filmed in the extra-wide-screen Technerama process, and naturally loses a lot when transferred to video. Try to see this in a theater. One with a BIG screen and a state-of-the-art sound system. You will be amazed. 534 SOMETHING WICKED THIS WAY COMES, 1983, C-94m D: Jack Clayton. Jason Robards, Jonathan Pryce, Diane Ladd, Pam Grier, Royal Dano, Shawn Carson, Vidal Peterson, Mary Grace Canfield, James Stacy, narrated by Arthur Hill. RayBradbury's fantasy novel is brought tothe screen by a director who understands it. This is a mood piece, and it's done to perfection. It all takes place in that strange twilight halfway between children's make-believe and the world of the supernatural. You're never quite sure which it is. Jonathan Pryce is utterly mesmerizing as the sinister Mr. Dark, leader of a mysterious travelling carnival. He has so much screen presence you can barely take your eyes off him. I haven't seen an actor in such total control of a role since Gene Wilder did 'Willy Wonka'. An added bonus is that Bradbury himself wrote the screenplay, and it shows. It's a real cut above the insipid screenplays we're all used to. STAR WARS, 1977, C-121m D: George Lucas. Mark Hamill, Harrison Ford, Carrie Fisher, Peter Cushing, Alec Guinness, Anthony Daniels, Kenny Baker, voice of James Earl Jones (as Darth Vader) Despite the spaceships and high-tech doodads, this is really more fantasy than science fiction. And the reliance which director George Lucas placed in the theories of Joseph Campbell help shape a story that is very near to myth. The other two movies in the trilogy, 'The Empire Strikes Back' and 'Return of the Jedi' are also important. The main interest to most Pagans lies in the mystical sub-motif of 'the Force', a kind a 'mana' that is ethically neutral, but may be used in magic for either good (as evidenced by Obi Wan Kenobe) or evil (as evidenced by Darth Vader). In the second film, it is the great Jedi Master, Yoda (created by Muppet masters, Jim Henson and Frank Oz), who teaches us most about the Force. This is pure magic. THE WATCHER IN THE WOODS, 1980, C-84 D: John Hough. Bette Davis, Carroll Baker, David McCallum, Lynn-Holly Johnson, Kyle Richards, Ian Bannen, Richard Pasco. What I wouldn't giveto have seen thisas a teenager! Johnson stars as a girl whose family has just rented an old English country house, where she is haunted by the image of a young girl who disappeared years ago. During a strange seance-type initiation ritual. In the ruins of an old chapel. During a freak lightning storm. During an eclipse. The subtext is so thick you could cut it with a knife. Even though such elements remain unstated, for those of us interested in power points, ley lines, and astronomical alignments, this movie is a real treat. Someone Knew Something! Sadly, the end is badly flawed. But no matter, because the fun is in the getting there. A delightful cast, and great atmosphere throughout, make this film special. THE WICKER MAN, 1973-British, C-95m D: Robin Hardy. Edward Woodward, Christopher Lee, Britt Ekland, Diane Cilento, Ingrid Pitt, Lindsay Kemp. Based on the Anthony Shaffer thriller,this movie is a favorite of most Pagans. The plot concerns a police sergeant (Woodward) sent to investigate the disappearance of a young girl, on a small island off the coast of Scotland. There he finds a completely Pagan society. Local color and beautiful folk music enhance the most loving portrayal of a Pagan society ever committed to film. Unfortunately, in the end, the Pagans are 'revealed' to be the requisite bad guys. If you can overlook the ending, however, this is fine movie. Every Pagan I know who's seen it wants to move to Summer Isle immediately. WILLOW, 1988, C-125m D: Ron Howard. Val Kilmer, Joanne Whalley, Warwick Davis, Jean Marsh, 535 Patricia Hayes, Billy Barty, Pat Roach, Gavan O'Herlihy. Despitethe story byGeorge Lucas, thisis NOT the'Star Wars' of the fantasy genre. Too derivative (especially Mad Martigan, who is a Han Solo clone). Still, the film has a lot to say about magic, and Davis gives a delightful performance. Jean Marsh is terrific as the evil Queen Bavmorda (in a role that almost parallels her role as Queen Mombi in 'Return to Oz'). And the scene in which Chirlindrea appears to Willow in the forest is as close to an epiphany of the Goddess as I've ever seen on film. That scene alone is worth the admission price. WINDWALKER, 1980, C-108m D: Keith Merrill. Trevor Howard, Nick Ramus, James Remar, Serene Hedin, Dusty Iron Wing McCrea. This is the best cowboy-and-Indian movie I've ever seen. Mainly because there are no cowboys in it. It is pure Native American. Trevor Howard is incredible as the old Indian chief who returns from the dead in order to protect his family, and restore to it a lost son, a twin who was stolen at birth by an enemy tribe. This film FEELS more like genuine Native American than any other I can think of. The Utah mountain scenery is breath-taking. Costuming (mostly furs) is authentic. And dialogue is actually in the Cheyenne and Crow languages, with English subtitles. And there's enough mysticism (especially in the old Indian's relationship with his horse) to please any Pagan audience. WIZARDS, 1977, C-80m D: Ralph Bakshi. Voices of Bob Holt, Jesse Wells, Richard Romanus, David Proval, Mark Hamill. Post-holocaust scenario withthe forcesof evil technologyled bythe wizard Blackwolf arrayed against the forces of benevolent magic led by the wizard Avatar. With background stylings a la Roger Dean, and character design that borrows from Vaughn Bode, this is tongue-in-cheek wizardry at its finest. The character of Elinor, a faery nymph, is a complete success -- a milestone in adult animation. Great voice work and nice music. And who is that wonderful (uncredited) narrator??? XANADU, 1980, C-88m D: Robert Greenwald. Olivia Newton-John, Michael Beck, Gene Kelly, James Sloyan, Dimitra Arliss, Katie Hanley. Yeah, yeah, I know. On one level, it's just Olivia Newton-John on roller-skates. But on another level, it is the story of how one of the nine muses of classical mythology (Terpsichore) comes down from Olympus to inspire a young artist. On yet a third level, it is the biggest Hollywood musical produced since the golden years of MGM. And it works well on all counts. The brilliant musical score (including several chart-toppers) is provided by the Electric Light Orchestra's Jeff Lynne, and Olivia does them up proper. Gene Kelly might not dance as well as he once did, but he can still charm as well. And did anyone notice that's Sandahl Bergman leading the muses in dance? As if that weren't enough, the film includes a delightful animated segment that marked the debut for Don Bluth studios, which later gave us 'The Secret of NIHM' and 'An American Tail'. 536 C A N D L E M A S by Gwydion Cinhil Kirontin It seems quite impossible that the holiday of Candlemas should be considered the beginning of Spring. Here in the heartland, February 2nd may see a blanket of snow mantling the Mother. Or, if the snows have gone, you may be sure the days are filled with drizzle, slush, and steel-grey skies -- the dreariest weather of the year. In short, the perfect time for a Pagan Festival of Lights. And as for Spring, although this may seem a tenuous beginning, all the little buds, flowers and leaves will have arrived on schedule before Spring runs its course to Beltane. "Candlemas" is the Christianized name for the holiday, of course. The older Pagan names were Imbolc and Oimelc. "Imbolc" means, literally, "in the belly" (of the Mother). For in the womb of Mother Earth, hidden from our mundane sight but sensed by a keener vision, there are stirrings. The seed that was planted in her womb at the solstice is quickening and the new year grows. "Oimelc" means "milk of ewes", for it is also lambing season. The holiday is also called "Brigit's Day", in honor of the great Irish Goddess Brigit. At her shrine, the ancient Irish capital of Kildare, a group of 19 priestesses (no men allowed) kept a perpetual flame burning in her honor. She was considered a goddess of fire, patroness of smithcraft, poetry and healing (especially the healing touch of midwifery). This tripartite symbolism was occasionally expressed by saying that Brigit had two sisters, also named Brigit. (Incidentally, another form of the name Brigit is Bride, and it is thus She bestows her special patronage on any woman about to be married or handfasted, the woman being called "bride" in her honor.) The Roman Catholic Church could not very easily call the Great Goddess of Ireland a demon, so they canonized her instead. Henceforth, she would be "Saint" Brigit, patron saint of smithcraft, poetry, and healing. They "explained" this by telling the Irish peasants that Brigit was "really" an early Christian missionary sent to the Emerald Isle, and that the miracles she performed there "misled" the common people into believing that she was a goddess. For some reason, the Irish swallowed this. (There is no limit to what the Irish imagination can convince itself of. For example, they also came to believe that Brigit was the "foster-mother" of Jesus, giving no thought to the implausibility of Jesus having spent his boyhood in Ireland!) Brigit's holiday was chiefly marked by the kindling of sacred fires, since she symbolized the fire of birth and healing, the fire of the forge, and the fire of poetic inspiration. Bonfires were lighted on the beacon tors, and chandlers celebrated their special holiday. The Roman Church was quick to confiscate this symbolism as well, using "Candlemas" as the day to bless all the church candles that would be used for the coming liturgical year. (Catholics will be reminded that the following day, St. Blaise's Day, is remembered for using the newly-blessed candles to bless the throats of parishioners, keeping them from colds, flu, sore throats, etc.) The Catholic Church, never one to refrain from piling holiday upon holiday, also called it the Feast of the Purification of the 537 Blessed Virgin Mary. (It is surprising how many of the old Pagan holidays were converted to Maryan Feasts.) The symbol of the Purification may seem a little obscure to modern readers, but it has to do with the old custom of "churching women". It was believed that women were impure for six weeks after giving birth. And since Mary gave birth at the winter solstice, she wouldn't be purified until February 2nd. In Pagan symbolism, this might be re-translated as when the Great Mother once again becomes the Young Maiden Goddess. Today, this holiday is chiefly connected to weather lore. Even our American folk-calendar keeps the tradition of "Groundhog's Day", a day to predict the coming weather, telling us that if the Groundhog sees his shadow, there will be "six more weeks" of bad weather (i.e., until the next old holiday, Lady Day). This custom is ancient. An old British rhyme tells us that "If Candlemas Day be bright and clear, there'll be two winters in the year." Actually, all of the cross-quarter days can be used as "inverse" weather predictors, whereas the quarter- days are used as "direct" weather predictors. Like the other High Holidays or Great Sabbats of the Witches' year, Candlemas is sometimes celebrated on it's alternate date, astrologically determined by the sun's reaching 15-degrees Aquarius, or Candlemas Old Style (this year, February 6th). Another holiday that gets mixed up in this is Valentine's Day. Ozark folklorist Vance Randolf makes this quite clear by noting that the old-timers used to celebrate Groundhog's Day on February 14th. Once again, this shows the resultant confusion of calendar changes and "lost days" that have accumulated down the centuries. For modern Witches, Candlemas O.S. may be seen as the Pagan version of Valentine's Day, with a de-emphasis of "hearts and flowers" and an appropriate re-emphasis of Pagan carnal frivolity. This also re-aligns the holiday with the ancient Roman Lupercalia, a fertility festival held at this time, in which the priests of Pan ran through the streets of Rome whacking young women with goatskin thongs to make them fertile. The women seemed to enjoy the attention and often stripped in order to afford better targets. One of the nicest folk-customs still practiced in many countries, and especially by Witches in the British Isles and parts of the U.S., is to place a lighted candle in each and every window of the house, beginning at sundown on Candlemas Eve (February 1), allowing them to continue burning until sunrise. Make sure that such candles are well seated against tipping and guarded from nearby curtains, etc. What a cheery sight it is on this cold, bleak and dreary night to see house after house with candle-lit windows! And, of course, if you are your Coven's chandler, or if you just happen to like making candles, Candlemas Day is the day for doing it. Some Covens hold candle-making parties and try to make and bless all the candles they'll be using for the whole year on this day. 538 Other customs of the holiday include weaving "Brigit's crosses" from straw or wheat to hang around the house for protection, performing rites of spiritual cleansing and purification, making "Brigit's beds" to ensure fertility of mind and spirit (and body, if desired), and making Crowns of Light (i.e. of candles) for the High Priestess to wear for the Candlemas Circle, similar to those worn on St. Lucy's Day in Scandinavian countries. All and all, this is certainly one of the prettiest holidays celebrated in the Pagan seasonal calendar. 539 OPENING THE CIRCLE The High Priestess goes to each of the four directions in turn, and draws a Banishing Pentacle, saying, Guardians of the East (South, West, North), Powers of Air (Fire, Water, Earth), we thank you For joining in our circle And we ask for your blessing As you depart May there be peace between us Now and forever. Blessed be. She raises her athame to the sky and touches it to the earth, then opens her arms and says, The circle is open, but unbroken, May the peace of the Goddess Go in your hearts, Merry meet, and merry part. And merry meet again. Blessed be. 540 Ritual of Casting Sacred Circle Many times we are asked "how do you cast a circle ?" There are so many different was that this can be done. Differs from each Tradition to the next. Even within our own Avaloian Tradition we make improvisions on this. The main factor is to cast a sacred space. A space that separates this world from the other. A space that we ourselves make holy. And that is what is important. A space that you set aside from all else, to glorify and exalt. For you are the one casting, cleansing, purifying, and setting it aside from all else. Before you cast, one should make sure of the intent of casting. Ask yourself why you are doing it. Once you have this the gathering is made easier. If you are doing this with a group of people One must be chosen to be the Lord or Lady. The Lord or Lady usually has one person who waits them. This is not to say the Lord or Lady is higher than they, but the fact that they shall be the God/dess incarnate.